Olympus E-620 Digital Camera Review

Performance:
Color accuracy surpassed the other four cameras we used for comparison purposes, a strong start to our testing. Resolution didn't test as well as the E-30, but was quite respectable, with low distortion and chromatic aberration that's particularly impressive given the inexpensive kit lens used. The problem areas we uncovered are all related to image noise, and they're significant. Dynamic range, the ability to maintain detail in both light and dark areas of a photo, suffers when image noise obscures those details. Our long exposure testing combines color accuracy and image noise measurements, and the noise is what dragged down the E-620 score. And when it came to straight noise testing under bright studio lights, noise is clearly visible even at relatively low ISO levels, enough to be visible in all but the smallest image reproduction.

Components:
There's a lot to like here; a solidly constructed camera that's small but still substantial, with an articulated LCD that works well at a variety of angles and different lighting conditions. The Live View screen doesn't keep up with fast panning as well as the E-30 does, though. While Olympus continues to support its antiquated xD memory card system, the E-620 also accepts CompactFlash cards, so there's a problem averted.

Handling:
Your reaction is going to depend largely on how large your hands are. Our reviewer prefers a larger camera body, but those with more delicate digits will be grateful for the small size of the E-620. Portability is a plus either way. However, the short grip, which doesn't stick out very far from the camera body, will be a negative for most shooters, since it isn't large enough to fill the palm and provide a secure grip.

Controls:
The camera is easy to simply pick up and shoot, but those who prefer to tailor settings to fit their personal preferences will find a full complement of customizability options. Bracketing is provided not just for exposure but also flash, white balance and ISO, a welcome convenience. The extensive selection of scene modes will help newcomers adjust to different shooting conditions without tinkering with manual settings, and the six Art Filters are a fun way to experiment with visual effects with no fuss at all.

Steve Morgenstern

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