Olympus E-620 Review

Olympus has established a tradition of offering very well specified cameras at the entry-level, and was one of the first to offer two cameras in this bracket - the little E-410 and its image-stabilized big brother, the E-510 (later upgraded to the 420 and 520 respectively). Now it has introduced the E-620, a model that will 'sell alongside' the E-420 and E-520 (in the sense that we suspect it will eventually replace the E-520) as the company's attempt at a '500D-killer'.

And, even by Olympus's standards of entry-level generosity, it's not short on toys - including an articulated screen to make full use of its live view system, which itself is one of the better implementations of this feature (from the company that got there first). It's also got 'Art' modes and the ability to shoot in four different aspect ratios - adapted from the features of the more expensive E-30. There's also in-body Image Stabilization and a level of configurability that is unparalleled in this class. In fact it's astonishing how much Olympus has crammed into its small dimensions - it's nearer to the size of the E-4X0 than the E-5X0 series (due in part to use of the small BLS-1 battery), and the E-420 was famously the smallest DSLR in the world.

Of course, since the E-620 was announced, Olympus has launched the E-P1 mirrorless interchangeable lens camera, which shares many features with the E-620 and is still smaller. However, the through-the-lens optical viewfinder and fast, phase-detection autofocus system mean that the E-620 shouldn't face too much of a threat from its more compact sibling (despite the degree of shared componentry, they're different cameras that fulfil rather different needs).

More importantly, perhaps, the E-620 seems to address some of the main shortcomings of the E-520 - the viewfinder is slightly larger and has been reworked so that the information panel appears below the view screen, rather than tucked-away off to the right. It also moves on from the old three-point AF system with the introduction of a seven-point version, which includes five cross-type sensors. In fact, the specification of the E-620 is so high that it makes as much sense for us to compare it to Olympus's semi-pro body, the E-30, as to the company's existing entry-level models.

Richard Butler and Lars Rehm

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